This approach not only streamlines the search process, but also enables you to add, delete, or rename keywords, and even assign them to a large batch of images.
Simply hover your mouse over images in the File Explorer tab (or in the Metadata Palette), and keywords pop up automatically. DxO PhotoLab 3 simplifies the search process by using keywords to navigate the DxO PhotoLibrary. Photographers with an extensive photo library know how frustrating it can be to locate specific images-even those tagged with metadata, shooting parameters, folders and the like. And for added versatility and creative control you can invert your adjustment masks with a single click.Ĥ. The Local Adjustments Masks Manger includes an opacity slider so you can precisely determine how much of each edit appears-all without returning back the specific adjustments involved. This non-destructive feature utilizes a simple palette to display (or hide) the various edits you’ve made to an image. This tool enables you to replace one portion of a photo with an exact copy of a different area of the scene, while adjusting opacity, feathering, and other settings for a natural result without visible edges or transitions.Īnother powerful time-saving capability of DxO PhotoLab 3 is the ease with which it enables you to work with local adjustment masks that have been applied to an image.
Want to remove a distracting element in an otherwise compelling image? DxO PhotoLab 3 makes it quickly disappear with a powerful Repair Tool that works much like a retouching brush to resample adjacent pixels to vaporize unwanted objects while matching the tones of the surrounding area.ĭxO Photo Lab 3’s Repair Tool also includes a sophisticated clone mode for replacing (rather than eliminating) portions of an image. And if creative effects are your thing, DxO PhotoLab 3 enables you to execute them almost instantly. There's a myriad of options from desaturating images, black-and-white conversions without complicated masks, and the ability to standardize color variations within a specific range. The former provides a visual manner of color enhancement, while the ColorWheel enables you to choose color ranges from eight separate channels when fine-tuning hues, replacing colors and adjusting transitions and tints. This powerful approach to color management is so sophisticated it’s simple thanks to a unique HSL (Hue, Saturation, and Luminance) Tool and the intuitive DxO ColorWheel. Perhaps the most intriguing aspect of DxO PhotoLab 3 is the flexibility and ease with which it handles color adjustments. Here are five ways DxO PhotoLab 3 makes editing photos easier and more effective. And it works its magic quickly, so you’ll be back out shooting in no time. In short, DxO PhotoLab 3 offers a unique user experience that provides superior results-whether your goal is natural-looking enhancements or more creative effects. Key features include a simple new approach to color adjustment, support for a comprehensive list of cameras, intuitive local adjustments, powerful repair tools, and a streamlined approach to organizing images through the use of keywords.
#Should i upgrade to dxo photolab 2 for mac
If all this sounds too good to be true, read on.Īvailable in versions for Mac and Window users, DxO PhotoLab 3 takes advantage of DxO’s expertise in innovative image-enhancement software and is designed to deliver unsurpassed image quality and user flexibility. To overcome these objections the folks at DxO have created DxO PhotoLab 3-a robust, affordable alternative, featuring an entirely new, intuitive interface that make image-enhancement a breeze and delivers stunning, results. Moreover, the popular “heavyweight” image-editing programs include features beyond the needs of many users and are extremely expensive to purchase (or rent).
The problem is that image-enhancement programs can be slow, cumbersome, and complicated, with a steep learning curve for those who aren’t experts. But let’s face it: As much as we’d like to “get it right in the camera,” a few tweaks to color, contrast, exposure, and other variables can often turn a good image onto a great one. Most photographers would rather spend their time shooting than sitting behind a computer editing their work.
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